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Fender American Professional II Precision Bass - 3-color Sunburst with Rosewood Fingerboard

4-string Electric Bass with Alder Body, Maple Neck, Rosewood Fingerboard, and 1 Split-coil Pickup - 3-color Sunburst
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Fender American Professional II Precision Bass - 3-color Sunburst with Rosewood Fingerboard
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The American Professional II P Bass: Upgrading Perfection

Leo Fender nailed the essence of a great instrument when he launched his Precision Bass in 1951. Today, the Fender American Professional II Precision Bass draws on over six decades of innovation, evolution, and inspiration to exceed the requirements of today’s working bassists. The ’63 C-profile neck feels just right, with its smooth, rolled fingerboard edges, “Super-Natural” satin finish, and newly sculpted neck heel that gives you effortless access to the upper register. Fender’s new V-Mod II Precision Bass split-coil pickup serves up classic P Bass punch and growl, with more articulation than ever before. A genuine bone nut and string-through-body or top-load 4-saddle HiMass Vintage bridge deliver solidity and sustain for authoritative tone, while lightweight vintage-style tuners with tapered shafts provide outstanding tuning stability and fast, hassle-free string changes. Rocking premium appointments, flawless playability, optimized electronics, and classic visuals, the Fender American Professional II Precision Bass offers you a new standard of comfort, tone, and performance.

Session king

The Fender American Professional II Precision Bass carries on the tradition of the first mass-production electric bass guitar. The Precision has driven the bass lines of some of the biggest hit records ever made. The ’60s were a typically prolific decade, with the instrument in the capable hands of session bassists like LA Wrecking Crew stalwart Carol Kaye, who lent her Precision chops to countless iconic recordings such as the Beach Boys’ “California Girls” and “Good Vibrations.” Then there was Motown bass legend James Jamerson, whose ’62 Precision (dubbed “the Funk Machine”) delivered the infectious bounce that buoyed a slew of Motown hits like the Temptations’ “My Girl” and Marvin Gaye’s “What’s Going On.” In fact, the Precision Bass was standard issue for Motown recordings. After bassist Bob Babbitt auditioned for a slot in Motown’s in-house studio rhythm section (the Funk Brothers), he was told his playing made the cut, but was instructed to “get a Precision” before returning for his first session. He did, and remained a P Bass player for the rest of his career.

The industry standard

Producers and engineers know that the Precision Bass always sits perfectly in the track, with minimal processing and the ideal amount of punch and growl. It’s the de facto industry standard. Perhaps that’s why many of today’s first-call bassists who had been playing exotic active instruments, such as LA session ace Sean Hurley (John Mayer, Gwen Stefani, Alanis Morissette, Robin Thicke), have come home to the Precision. Precision players often cite how “balanced” their instrument feels, whether they’re playing seated or standing; indeed, the P Bass is a supremely balanced instrument, from its playing feel to its fat, punchy, authoritative tone. The instantly recognizable P Bass sound is the end product of a number of factors, including scale length, tonewoods, its bolt-on neck, and of course, Fender’s one-of-a-kind Precision Bass split-coil pickup — the latest, state-of-the-art update of which comes standard on the American Professional II Precision Bass.

V-Mod II Precision Bass split-coil pickup

The Precision Bass split-coil pickup bucks the hum, but it’s technically two single-coil pickups working in tandem, so it has the note definition and harmonic richness many humbucking bass pickups lack. It’s placed in an optimal position along the string length to capture and deliver girthy low end along with midrange growl that cuts through thick arrangements. And it also makes a great thumb rest! The American Professional II Precision Bass features Fender’s latest upgrade to their venerable split-coil bass pickup. The V-Mod II Precision Bass pickup delivers greater note articulation than previous versions, while serving up the epic punch and growl the P Bass is famous for. The V-Mod II P Bass pickup brings out the rich harmonic overtones that enhance the expressive nuances in your playing, while maintaining the solid fundamental that makes the P Bass perform admirably cross-genre, onstage and in the studio. Bass players at Sweetwater are blown away by the flawless playability and amazing tone of the American Professional II Precision Bass and its V-Mod II pickup. Trust us: you will be, too.

Fender American Professional II Precision Bass Features:

  • Comfort-contoured body with gloss urethane finish
  • ’63 C-profile neck with “Super-Natural” satin finish
  • New smooth, rolled fingerboard edges
  • New sculpted neck heel for easy access to upper register
  • New V-Mod II Precision Bass split-coil pickup delivers classic punch and growl with enhanced articulation
  • 4-saddle HiMass Vintage bridge (string-through-body or top-load) provides solidity and sustain for authoritative tone
  • Bone nut; Fender lightweight vintage-style tuners with tapered shafts
  • Quality crafted in Fender’s Corona, CA factory
  • Includes molded hard case

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Tech Specs

  • Number of Strings: 4
  • Left-/Right-handed: Right-handed
  • Body Shape: American Professional II Precision
  • Body Material: Alder
  • Body Finish: Gloss Polyurethane
  • Color: 3-Color Sunburst
  • Neck Material: Maple
  • Neck Shape: 1963 C
  • Radius: 9.5"
  • Fingerboard Material: Rosewood
  • Fingerboard Inlay: White Dots
  • Number of Frets: 20, Narrow Tall
  • Scale Length: 34"
  • Nut Width: 1.625"
  • Nut Material: Bone
  • Bridge/Tailpiece: 4-Saddle HiMass Vintage
  • Tuners: Fender Vintage-style
  • Middle Pickup: Fender V-Mod II Precision Split Single-coil
  • Controls: 1 x master volume, 1 x master tone
  • Strings: Fender USA 7250M, .045-.105
  • Case Included: Hardshell Case
  • Manufacturer Part Number: 0193930700

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Customer Reviews

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Rated 5/5

Amazing Bass from the only place to buy IMHO.

I'm never one to leave a review but after having this amazing instrument the past 6 months I've not been more happier with my decision to purchase. I'm new to Bass and wanted something that truly spoke to me and inspired me to play. Well this beauty sure has that effect on me and I've not been able to put it down since picking it up. Also one of my favorite bassists Burke Shelley (Budgie) played one exactly like it with the same three color burst and rosewood fingerboard. Sadly he passed away January 2021 and I ultimately ended up purchasing mine July 2021 so it really has that much more sentiment to me. I even named her Shelley! I understand most people would not spend this much on an instrument when starting out but I was fortunate enough to be able to and do not regret my decision one bit. The quality is absolutely amazing and I'm proud to own American made. Not to say anything less is subpar but it's nice to own a quality product that I know will outlast me. A motto I've always lived by is " buy once, cry once." Well I've not once cried since purchasing this so by far the best purchase I've made yet! As always amazing customer service from Sweetwater and Specifically my sales engineer, Ryan Thorpe make Sweetwater the only place you will ever need to buy from. Thank you for another seamless transaction and here's to the next! Keep on rocking.
Music background: Novice player, Professional listener.
Rated 5/5

Fender American Professional II

The look, feel, and sound! Physically well balanced, sonically perfect! This is a superb instrument. You get what you pay for when you buy a guitar. Straight out of the box. Another purchase that I would ONLY trust to Sweetwater. If you buy it elsewhere you "take your chances"!
Music background: I've been playing stringed instruments for 48 years.
Rated 5/5

Why did I wait so long to get a P ? It is (P)erfection!

This is the 4th American Fender bass I've bought from Sweetwater, the Universal Epicenter of terrific customer service. It is however, my first P since switching to bass as my primary in 2012 - finding at the suggestion of a jam session curator that while I was a good guitarist "you might enjoy bass and get to play more." Was he ever right! I also found out in the process it pays to have good curators and teachers steer you towards an instrument that fits your musical skill set better - I love playing guitar but always tended towards, um loving jazz improvisation but favoring a rock oriented approach... and I found that bass feels much more natural to me to play. Anyway, during this journey to bassist, all I've played and owned were various flavors of Fender Js - starting with a Squier Jaco copy, a Squier Vintage 70s 5, and an American Special J. I don't have those 3 anymore as I sold them as I decided to upgrade the quiver to include Fender American Js.

For a while, I've been a J snob, and I've spent a lot of time playing various other kinds of basses to find a sound and a comfort level that I would like better than a J, thinking I'd like something other than a Fender in the arsenal. I keep playing with Ps, but thinking "hmmm. Limited. One pickup, blah blah blah, its a blues and country bass."

The band I'm in is recording our next CD, and as the newest member I've learned a lot about recording the past year as we've grappled with practicing around the pandemic safely as well as recording in our home DAWs. It became more and more apparent that my Js just weren't cutting it in terms of the sound I was looking for. I'm not a slapper or a prog rock guy on bass, and the J always seems harsh and clanky and not punching through the band mix like what I hearing in my head. I'd played various humbucking basses - mostly G&Ls - off the rack as I was going through the process, but I just didn't like the way they felt in my hands, and the sound just wasn't... Fender enough. I toyed seriously with picking up a L-1000 as I have zero interest in an active bass, but I kept thinking about how I just don't feel like I'd ever bond with a G&L which did not nearly as comfortable as a MIM P in my hands. The L-2000 was also an option, but again - active - and just far too many controls for what I can see myself realistically using a bass for.

So I'd been stalking the SW site several weeks waiting for P stock to become available, and jumped on this Pro II P in burst and rosewood about 12 hours it came on line. I was so anxious to get the fantastic plastic processed when two of these showed up in February online that I couldn't wait for my usual sales engineer Sam, who is Mr. Super De Dooper awesome, but got through and got 1 of the 2 at 11:00 AM PST after both had been onsite less than a day. I'm glad I did, because when I refreshed the listing at 11:30 both basses were gone! Right now, it has been extremely hard to get stock with demand at all time highs and the instrument makers a bit challenged with work force and supply issues. And I got a great call back from Sam about my purchase shortly after shipping. He's a stand-up dude!

Other than.a day's delay because of the uber cold temps during that week in February, it arrived here somewhere in California's Central Valley just awesome out of the box and ready to rock after I waited the 24 hours to let the box warm up inside. This thing is a BEAST. The guys in our band love it, it fills up the sonic part of the band - with far less amp volume out of a Genz Benz Streamliner 600 head with two Focus 112T cabs. We'd already recorded our tracks for the first 6 of our 12; I'm going to do the 2nd half with the P - if the guys like the results, I'll go back and redo my parts on the first six which were recorded on the red J. There's nothing wrong with any of my Js, but I think I'd probably have bought a P much earlier and my quiver would likely be down a fretless J if I'd not been a J snob and plucked a P earlier.

It plays differently than a J, of course, with the thicker neck, but I do find the P body and balance more to my liking than a J. They're just different instruments. It came set up fine; I've tweaked it a little bit by swapping out the stock Fender 7250Ms for the lighter and smoother D'Addario rounds I like - the regular light gauge, and I dropped the saddles. I'm getting my first covid shot this week, so the set-up will be fine until I feel comfortable taking it into the local set-up wizard for a super pro job where he adjusts and I provide feedback until it is perfect. Right now, I run it with all the knobs on the GB head (or my BA 210) basically at 12, with the tone rolled off. It sounds so thumpy, articulate, warm without being muddy like a J can get.

The first name the bass gave for itself out of the box - which when I unboxed it and opened the case, my GF, who while not a musician has the most extensive music collection I've seen of any human being, and has a wry sense of humor, said "is that its coffin?" - was Big Boy (remember the Big Boy restaurant statue? Yes, I'm old)... but after I took it to rehearsal for the first time last week, it just sat in the band mix so absolutely perfectly that its moniker is now "The Zone". Because I felt totally in The Zone playing this instrument. I should've known I'd bond with a P... my first electric guitar was a Strat, but I never bonded with it - or the 335 - or a succession of Ibanez solid and one semi-hollow before I picked up a Tele in 2010 and screamed "This is *it*!" I'm so a Tele guy on guitars... it seems appropriate that Leo's first bass has bonded with me so hard. I'm smitten. I love the simplicity, I love humbucking without batteries or freaky coil taps or so many knobs my instrument is basically a new math problem. Volume, tone, your hands and your creativity without major brain drain. I love this P. You gotta get one! :)
Music background: Bassist/Sometimes rock guitarist - straight ahead jazz, fusion, rock and grunge shred metal
Rated 5/5

Beyond words

Just purchased the darkest shade of the four that were available. Absolutely beautiful instrument. The pictures don't really do it enough justice.
Rated 5/5

I am very impressed with this bass

I thought this would be a good bass for me. It's the full scale with enough weight to have a good sustain which is what I wanted. This is the first time I bought anything without trying it out first. It feels great and tuned up easily. Sweetwater did a great job of setting it up for me. Played it for the first time in Church last night. Pastor came up afterwards and said what a sweet sound. That's all the comment I needed to know it was the best choice for me!
Music background: Playing for about 30 years, Bass

It’s impossible to imagine a world without Fender guitars, and if you’re like many of the guitarists at Sweetwater, then Fender not only made the first guitar you ever bought " they made the last one too! From building the first mass-produced solidbody electric guitars and basses in the 1950s to creating some of the most influential amplifier designs in history, it’s no wonder why Fender is one of the biggest names in the business. As one of the world’s largest Fender dealers, we have countless guitars, basses, amps, effects pedals, and accessories in stock and ready to ship, whenever you need them. We’re always getting our hands on their latest creations, and there’s nothing we love more than to tell our customers all about them! So, whether you’re looking for your first axe or a Custom Shop creation, make sure to give your Sweetwater Sales Engineer a call at (800) 222-4700.

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